The Mughals, starting with Babur, introduced the Persian Charbagh style, which consists of a quadrilateral garden divided by walkways or flowing water into four smaller parts.

The Persian couplet 'Sultanat-e-Shah Alam, Az Delhi ta Palam' meant 'The Empire of Shah Alam extends (only) from Delhi to Palam (a nearby village)', highlighting his powerlessness.

Ustad Ahmad Lahori, the architect of the Taj Mahal, also laid the foundations of the Red Fort.

Amanat Khan (Abdul Haq) was the master calligrapher who designed the Quranic inscriptions on the Taj Mahal.

It follows the Persian Charbagh style, where the garden is divided into four quarters by walkways or flowing water.

Abdus Samad, a Persian master painter, was conferred the title 'Shirin Qalam' (Sweet Pen) by Akbar for his calligraphy and painting skills.

The Mahabharata was translated into Persian and titled 'Razmnama' (Book of Wars) by a team of scholars including Badayuni.

Akbar established the Maktab Khana (Translation Bureau) to translate important Sanskrit, Arabic, and Greek texts into Persian to promote understanding.

Mirak Mirza Ghiyas, a Persian architect, was chosen by Haji Begum to design Humayun's Tomb.

Humayun's Tomb is the first garden-tomb in India and introduced the Persian 'Charbagh' garden layout and the double dome structure.